Written and directed by Nikola Stojkovic, Poser, is bold and ambitious from the very beginning. The four acts of the story (Resentment, Rationalisation, Reverence and Reformation) create a grandiose framework for Roman’s character arc. Combining this with the impressive fugal sounds of Nick Stubblefield’s soundtrack elevates the film to a higher plane. This generates a certain parallelism with Roman’s exceptionally high ideals but also a sort of ironic mocking of his inherent seriousness.
Roman is (to put it politely) not particularly likeable. Ryan Satterfeal carries the character exceptionally well, delivering the verbose yet intellectually charged rants with conviction. The subject of his anger: posers. People who, for various reasons, pretend to be interested in charitable issues and post about them on social media to gain recognition. This is Roman’s definition, anyway. His partner, Sonya (Melissa Nelson), appears to be somewhat a casualty caught in the crossfire of his cynicism. However their relationship is surprisingly endearing and the witty exchanges between the pair are effective. Although Sonya may forgive the preaching, it quickly becomes apparent Roman chastises others’ efforts without attempting to contribute much himself. The true extent of Roman’s misguided ideals are revealed when his friend asks him to join in with a charitable event. We begin to wonder why Roman is so afraid of looking like he only pretends to care. As Frank points out: as long as you are helping and contributing, do your intentions really matter?
In the Fourth Act, Roman finally has an open and honest conversation, triggered by his inquisitive taxi driver. We finally learn more about Roman and his real fears as he professes that he only works with disabled children because he has rent to pay, like everyone else. He doesn’t want to be seen as a good person simply for doing his job. He feels like a poser. The taxi driver (Angel Pedraza) plays a brilliant part as Roman’s ‘transportation lord and saviour’ (aptly named Jesús). He triggers an important revelation for the protagonist. Consequently the final act shows a more serene and understanding Roman – open to new ways of thinking. Returning to a conversation with Sonya is a perfect cyclical ending, showing how much Roman has changed over the course of the narrative.
Poser is a well-written and excellently directed work with a constant feeling of movement and reflection. The music of Nick Stubblefield and the creative use of sound editing is definitely a highlight. Stojkovic has created a funny and original film with a resounding message carried on the shoulders of an excellent cast of well-developed characters!
Watch the trailer below!