Lala Cura’s short film delves in to the vividly abstract. Both in terms of the visual stylings and the poetical monologue delivered by the protagonist, Hugo.
Cura takes us inside the mind of Hugo as he ruminates on Elyna. We never exist outside of the confines of his brain. This is evidenced by the stream of consciousness narrative style. Although this is not easy to follow, there are several recognisable themes that viewers can latch on to in order to make a story in their mind.
Moon is not supposed to be passive viewing. Looking at the film’s Instagram page reveals a filmmaking process steeped in signs and symbols . The creation process to Cura seems to be art, just as the final product. The abstract images are vibrant and abstract. They often look like the phosphenes that appear when you close your eyes tightly. Together they form a fever-dream-like cacophony.
The second half of the film becomes less visually dissonant. Some rough animated drawings provide a welcome break from the total absurd. There is greater variation too. The animations stand out quite drastically against the abstract which appears to give them renewed importance. In these circumstances, even the roughest of animations fulfill the viewers desire for something tangible to align with.
The character that appears in most detail is Elyna. This shows how fully realised she is within Hugo’s mind – how she occupies his brain. She is a figure formed with clarity among the other mental swill. (see below)
The music that has been created specifically for the film is of particular merit. While the visual styling and narrative technique may not be enjoyed by everyone, the music is a great leveller. The ramblings of Hugo, profound, pretentious or nonsensical, are supported with a gentle piano score that nicely underpins the poem.
A creative process captured on film. Visit Moon’s Instagram page: @moon.shortfilm